Wednesday, November 25, 2009
We pride our selves here at TVR on our diverse and eclectic cultural tastes. So when by chance we happen upon something a tad left field or just plane odd. We feel duty bound, obliged even to share it with you. So please enjoy the world of Entrances to Hell.
Sunday, November 22, 2009
It starts with a Crazy World. It’s is a lovely drunken lurch of a song, that put me in mind of the taste of cider on a late night hay ride. Whatever one of those is. The backing for the smiling sleepy vocals is sparse and loose – Eirlys on guitar and Rowan Armes on fiddle. Rowan's playing is excellent. She starts by plucking a counter melody and it’s a great sound: fuller than a banjo and less irritating than a mandolin. Then she picks up the bow and lets loose, but without swamping the tune. So nice to listen to an accomplished musician who listens as well as they play. She also adds simple piano accompaniment on the tracks plot and come home again this works well
The plucked fiddle absolutely perfect on Fahrenheit. This is a bit of an epic that starts with a gentle kind of menace that builds up and up wonderfully. Sorry but the djembe freak-out at the end is like a waiter’s dreadlock dangling in your soup – unnecessary and lacking taste.
The more upbeat songs such as Chasing Hope and Packer’s Field missed me a bit. They sound a little overplayed and compared to the other tracks, they’re just a bit too strident and earnest. There’s definitely an element of old fashioned radical mung bean politicking going on here but it generally doesn’t detract from the music. Apart from the Djembe.
I try not to read lyric sheets. It's much better to catch odd phrases and put them together gradually into a jigsaw of familiarity. Eirlys rewards this method but when I got to Calon Lan, sung beautifully unaccompanied, I was forced to look at the lyric sheet, as it's all in foreign. Happily there's a translation and the meaning is as lovely as the sound.
I really like this album even though it’s not the sort of thing I usually go for. It lies somewhere in the space between Natalie Merchant, The Be Good Tanyas and a Reclaim the Streets Demonstration. That’s not a bad place to be at all.
For more information on the music of Eirlys Rhiannon or to buy a copy of her album Sleep visit her web site or her myspace page.
Reviewer: CP Mandrake
Saturday, November 7, 2009
Comparisons with the summer time is blindingly obvious from the get go with opener Holiday in the Sun and from then on the tone is set.
However, despite the fluffy theme running through the album it actually brought out my cynical side. Although opening our minds and taking care of the homeless are very considerate and noble gestures, lyrically at times it does tend to feel like a skit from Sesame Street. That’s not a criticism as such, more of an observation from someone who prefers a touch more pessimistic content amongst the unrelenting jollity.
Cynicism aside, musically it’s tight. Early on there’s a baggy feel which isn’t at all unpleasant but it’s when the sugar is diluted on tracks Postcards and Super Place when Wilson’s strengths come to the fore with the former reminiscent of that famous scouse foursome.
Those of you who like your pop music a little edgier you'd do well to steer clear, however those seeking a dose of audio sunshine now that the nights have drawn in, Lift You Up could be right up your street.
For more information on the music of Lewis Wilson visit his myspace site. To purchase your copy of Lift You Up visit Rip Roaring Records.
Reviewer: The Country Bear Jamboree