Saturday, November 7, 2009

Lewis Wilson - Lift You Up (Rip Roaring Records)


Comparisons with the summer time is blindingly obvious from the get go with opener Holiday in the Sun and from then on the tone is set.
However, despite the fluffy theme running through the album it actually brought out my cynical side. Although opening our minds and taking care of the homeless are very considerate and noble gestures, lyrically at times it does tend to feel like a skit from Sesame Street. That’s not a criticism as such, more of an observation from someone who prefers a touch more pessimistic content amongst the unrelenting jollity.
Cynicism aside, musically it’s tight. Early on there’s a baggy feel which isn’t at all unpleasant but it’s when the sugar is diluted on tracks Postcards and Super Place when Wilson’s strengths come to the fore with the former reminiscent of that famous scouse foursome.
Those of you who like your pop music a little edgier you'd do well to steer clear, however those seeking a dose of audio sunshine now that the nights have drawn in, Lift You Up could be right up your street.

For more information on the music of Lewis Wilson visit his myspace site. To purchase your copy of Lift You Up visit Rip Roaring Records.

Reviewer: The Country Bear Jamboree

Monday, October 26, 2009

Sweet Williams


You can hear a warm analogue hiss on the first few seconds of this recording if you're listen to this album on headphones. The kind of warm comforting sound that you find on home or field recordings. It’s a sound that studio engineers fear and may spend wasted hours and money trying to remove. This hiss is not a bad thing, in fact it’s the very opposite. It’s reassuring and comforting it makes this recording sound that extra little bit real. You really get the feeling that brother and sister duo Ben and Sadie Warner are both present in the room with you. It’s a very odd, but not an unpleasant, experience.
We are greeted by the opening track Falling Apart. Vocally, slightly disjointed and out of phase harmonised voices accompanied by a gentle touch upon a plucked nylon string acoustic guitar. All served with subtlety and a perfectly understated delivery.
There are so many elements of classic English folk music mysticism alive here. There is a blend of male and female vocal harmonies, which are not over done or milked, and no obvious choices of folkish vocal pitches or tonal values. The sparseness of the guitar works well with the structure of these beautifully and basically crafted songs. The use of deadpan percussion with a mere hint of flute and electronica on tracks such as The Moon You and I, Where to Begin and Icarus and the Sun all bring to mind pagan ritual dances and memories of 1970’s Hammer House of Horror movie scores. The whole work is surreal and dream like.
If I must be critical on a couple of points, some of the lyrics do tend to air on the side of fist attempts at heart felt 6th form college love poetry. But even this can be excused, as it gives a twist of playful innocence.
I’m not sure if this is an official release for Sweet Williams, so lets refer to is as a CDR release. With that in mind the production is on the agricultural side of recording. I mean this as a complement to its minimalist approach to recording techniques. However, with a bit more loving care at the mastering stage this could have made the difference between a potential folk classic and an eight track recording. This still doesn't take anything away from its beautiful resonance. A truly inspired body of work.

To find out more information on Sweet Williams and to get your copy of this CDR visit their myspace site.

Reviewer: DE Powell

Sunday, October 25, 2009

Douglas E Powell needs a drummer

Twister Valley Records stable mate Douglas E Powell is on the search for a drummer.
Douglas is working on album number 3 and feels the need for some light percussion on the recording sessions and for live work to accompany his folk and alt-country style.
Realistically he's looking in the southwest (UK). Just for logistical reasons but may consider looking further a field if the boots fit.
He used the term 'cocktail kit'. I take this to mean a stripped down drum kit consisting of bass drum, snare and high-hat played with brushes. Almost with a skiffle vibe.
If you are interested or know of anybody who is please contact us via myspace or mail us at twistervalleyre​cords@​gmail.​com

Tuesday, October 6, 2009

Otis Gibbs plus support from Douglas E Powell, Pilton Devon 3rd Oct



Twister Valley Records stable mate Douglas E Powell was lucky enough to play the support slot for the legendary American folk singer Otis Gibbs at the Piton Village Hall, Devon, last Saturday night, 3rd October.
The sell out audience were first treated to a set of brand new material and some older classic songs from folk singer Douglas E Powell. Douglas was joined on stage for three songs by life long friend and bass player Andrew 'Tizz' Tizzard. Could this new combination of harmonized vocals, electric bass and acoustic guitar herald a new direction for Douglas? We will just have to wait and see.


Headliner Otis Gibbs is a master of the song link. Every tune masterfully entwined with the next with tales from his travels around the worlds stages, drinking holes and anti-war demos. Often tongue planted firmly within his cheek and sometimes with his political and religious views proudly on show. His songs where delivered to an appreciative audience who sat in total silence for over an hour and a half, breaking their silence only to applaud and occasionally heckle in the right places. This is all part of an Otis Gibbs live experience.
Promoters Matt and Shaun tell us that they have a full rosta of artists from all over the globe lined up to play at the the hall in the coming months. A great boost for the Devon live music scene.

Otis Gibbs new album Grandpa Walked A Picket Line (Wanamaker Recoding Company) is available to buy from www.otisgibbs.com

Thursday, September 17, 2009

Forest Sun - Harlequin Goodnight


What do Americana songwriters write and sing about these days?
Is it their political or religious proclivities? Or could it be the classic loves labours lost?
In the case of Forest Sun and his latest album Harlequin Goodnight it would seem it consists of several points of reference skilfully captured and turned into melodious verse as they drifted by. As if held upon the warm off shore breezes that roll down off the mountains and gently fan the waves along the coastline of California's many beach breaks. Or is it just the way these tunes make me feel?
My So Cal fantasies to one side for a moment. This is a fine collection of such captured thoughts.

Ok, as you may have gathered I’m hooked. This is a very well presented work. Forest Sun is a well-presented fellow. I would go as far as saying that he looks a tad clean cut. Not a country soul beard, plaid shirt or trucker hat in sight. Even his name Forest Sun, some may say is a bit on the side of twee. But placing all this stereotypical bull to one side. I’m glad I pursued this musical hunch and found this gem of an album.

Its opener Be Kind To You just flowed out of my speakers with a tingling grace and an almost horizontal vocal lilt.
This recurring theme continues throughout the entire album including the title track Harlequin Goodnight. We skip from the straight up Americana of High and Low, draped in slide and skillful picking. To Gurus and Rock Stars, which found me, dancing a waltz around our living room with my wife. A sight not seen since we first listened to Her Rocky Spine by Great Lake Swimmers. With lines such as “hell is just heaven still learning. So we might as well sing whilst we’re burning” showing there is a wicked yet whimsical side to Mr Sun’s lyrics.
I can even forgive him for the crucifixion of Bob Dylan’s, She Belongs To Me. Which just left me posing the question, why Forest, why?

Forest’s completes his successful mission with the down beat track, Your Horizon. This gently plucked guitar and vocal piece proudly sits at the end of album. A perfectly executed grand finale to this ‘you just don’t want it to end’ album. As I find my self once more reaching for the play button.

For more information on the work of Forest Sun or to buy a copy a Harlequin Goodnight and other albums from Forest Sun's back catalogue visit his web site at www.forsestsun.com

Reviewer: DE Powell

Friday, September 11, 2009

Daylight and Stars - Jim Jones


After the brief but wonderfully titled opener The Underwater Orchestra, Winter Song gets us going steadily and softly builds, finishing with a nice outro, but it’s not until the subsequent Road to You that this album truly begins. It’s a very accomplished song with echoes of contemporary bands currently doing the rounds and without question the highlight of the album. “Am I a passenger or just a visitor?” enquires the songwriter. Emphasised even more so by this track you can’t help but feel that the listener is the passenger on Jones’ soulful journey throughout the album.

There is a very personal theme running through his work, but Jim is no tortured soul. No tales of heartbreak or desperation here, thank you very much. Far from it. Tracks like Find Me Out and Evelyn are testament to this with the latter conjuring images of summer love, maybe lost, maybe not, but upbeat nevertheless.

The mid-section of the album continues in a similar vein with One Step Away and Treading Water which are supported nicely by Severn, a folk-infused one-minute instrumental which could possibly do with being longer.

A Cornish Western is pure indulgence on Jones’ part and probably an unnecessary filler but given the quality of the material surrounding it, we’ll forgive him this time. After this experimental interlude the album finishes strongly and beautifully with Daylight Breaks and another stand out number Illuminate, and as the title may suggest with slightly spiritual overtones.

Jim is obviously a guy with a positive outlook on life and it’s well reflected in his lyrics and musical style. The inclusion of a number different instruments makes the album feel more polished and never feels overdone, always keeping the formula simple, and is admirable considering that it could be tempting to over indulge.

In an industry saturated with successful solo artists with arguably little more than style over substance there’s easily enough here to stand up against and even surpass them.

For more information on the music of Jim Jones and to buy Daylight and Stars visit his web site at www.jimjones.co.uk

Reviewer: Country Bear Jamboree

Sunday, September 6, 2009

and now for an intermission............



Twister Valley Records office top 10 play list.........


1. Joe Volt - Derwent Water Gaint (Bootleg) sorry Joe, send us a copy please!

2. Pete Coe - In Paper Houses (Backshift Music)

3. Sonic Youth - The Eternal (Matador)

4. Forest Sun - Harlequin Goodnight (Painted Sun)

4. Dinosaur Jr. - Farm (Pias)

6. Bon Iver - For Emma, forever ago (4AD)

7. Great Lake Swimmers - Ongiara (Nettwerk)

8. Ryan Adams & The Cardinals - Jacksonville City Nights (Lost Highway)

9. Neil Young - Mirrorball (Reprise Records)

10. Isobel Campbell & Mark Lanegen - Sunday at Devil Dirt (V2 Records)

Snaps - An article by Forest Sun

You know what I like about cowboy shirts? Snaps. Snaps are far superior to buttons. Elegant. Attractive. Practical. And most importantly-easily accessible. When I was a kid I wore shirts with snaps. (I had a pair of red cowboy boots, too.) With snaps you can pull your shirt open like your superman getting ready to fly or the incredible hulk, muscles bursting out of your shirt. Or even better have someone else pull your shirt open and off. And toss it recklessly on the floor while they kiss your newly exposed clavicles and fondle your love handles. Buttons don’t have that going for them. You rip a buttoned shirt off a body you can’t put it on again in the morning. Snaps you can. Plus the word snap has an inherently musical quality to it. It’s a verb. A rhythmic action. A percussive event each time you put on that shirt. That satisfying pulsation betwixt thumb and forefinger that buttons just can’t provide. Snaps are about speed. They’re streamlined. Aerodynamic. They may lack the propriety and ubiquitous homogeny of the more widely accepted buttons, but they more then make up for it in personality, relaxed attitude and sexy, pearlescent shine. And for that I am grateful. Forest Sun

Twister Valley Records will be reviewing Forest Sun's new album Harlequin Goodnight soon. Keep posted.